|the girl who never was >|
|the third man >|
|a lecture on schizophonia >|
|written on tablets of flesh >|
|the empire never ended >|
|variations on a theme by Casey & Finch >|
|the allens >|
|I hereby command you to give voice to these letters...>|
|we are protected >|
|dark was the night >|
|bytom hymn echo >|
|aarhus echo >|
|god moves on the water >|
|variations over a poem by allen ginsberg >|
|let them sing it for you >|
|låt dem sjunga det åt dig >|
|variations on a theme by lou reed >|
The Girl Who Never Was is the third and final part in a trilogy began with A Lecture on Schizophonia and continued in The Third Man. The project exists both as a lecture performance and as an independent video work.
In 2008 an American researcher rediscovers the lost traces of the first recorded voice ever: the 148-old voice of a little girl singing the French lullaby ‘Au Clair de la Lune’. One year later another researcher experiments with the playback speed and manages to prove that what the fragment actually contains, is the voice of a full-grown man. This exact same lullaby is the song sung by the artificial intelligence HAL in the French version of Stanley Kubrick’s ‘2001 A Space Odyssey’. As HAL dies his voice performs precisely the same glissando as the voice of the non-existent girl: a high-strung, insistent voice is gradually slowed down into a deep, sleepy and harmless one. The work uses these two voices as coordinates, and explores how a particular insistency, pertaining to the voice alone, makes it the vehicle for certain kinds of inexistencies, as they make their way into our world. The more we try to shut her voice out, the more persistent her song becomes.
The Girl Who Never Was is a coproduction with the Impakt Foundation, Utrecht in the framework of Impakt Works 2013 and has been made possible with the support of the City of Utrecht; the Mondrian Foundation.
the girl who never was (2014)